| Publications 
                > Miguel Palma  Portugal, 2005 When António da Veiga 
                Pinto and l launched ADIAC – Portugal in April 2005, 
                our intention was to make the publication one of the most effective 
                instruments for achieving our goal of promoting contemporary art 
                from Portugal on an international stage. However, as a non-profit 
                making association, we had not expected to have the opportunity 
                of publishing our first book as early as the following November.  Publishing is a means for ADIAC to focus on 
                its main aim: providing the most complete view possible of recognised 
                artists who, for different reasons, have not yet had compilations 
                their work published. The aim of our books is to interest not 
                only the curious reader and the general public, but also to be 
                of use in a professional capacity for collectors, curators of 
                foreign museums, commissioners of exhibitions and international 
                galleries who are as yet unfamiliar with the work of artists living 
                in Portugal. The country boasts a large number of artists of a 
                high level who, for varying reasons, are not yet well known abroad. 
                Our goal is to invert this tendency by supporting and promoting 
                the work of these artists to the best of our abilities, without 
                supplanting the role of cultural institutions or art galleries.  As an association of collectors, ADIAC enjoys 
                the luxury of being able to set its own priorities, independently 
                of any promotional strategies determined by the market. This first 
                book dedicated to the work of Miguel Palma, represents the first 
                step in what we hop will be a long publishing history.  Not only has the work of Miguel Palma deserved 
                a book for a long time - a publishing opportunity that ADIAC seized 
                with enormous pleasure – but we also consider ourselves 
                twinned with the already famous ARÍETE project. Both were 
                born at the same time and with similar objectives: Miguel Palma 
                went off to invade 46 international museum spaces with the aim 
                of imprinting his vision on them; the goal of ADIAC is the international 
                promotion of contemporary art.  I would like to end with a word of thanks to 
                our partner and friend João Pinto de Sousa. Thanks to his 
                experience in publishing and the PÚBLICO newspaper, ADIAC 
                has been able to achieve its publishing ambitions sooner than 
                we expected! Marc Pottier |