|   Publications 
                > Vasco Araújo 
              Portugal, 2007 
              [ Texte en français non dispobible 
              ]  
               This third publication of the association ADIAC 
                (Associação para a Difusão Internacional 
                de Arte Contemporanea) is dedicated to Vasco Araújo. ADIAC's 
                goal is to produce comprehensive literature on young artists which 
                can be distributed in Portugal and abroad, in order to create 
                awareness of the high standard of Portuguese contemporary art. 
                These books are sent to the main international museums, art critics 
                and galleries to which we think they may be of interest. We are 
                thus happy to note that the book about the artist Miguel Palma 
                granted him access to the Almine Rech gallery in Paris and entrance 
                into the collection of Luxemburg's Museum of Modern Art (Mudam), 
                and also gave him the opportunity to develop his work in New York 
                during a residency at Location One in February 2007. 
               We have been following Vasco Araujo's career 
                from “La Stupenda”, a video presented at the Filomena 
                Soares gallery (Lisbon, 2001), up to “Made in France” 
                at the Gabrielle Maubrie gallery (Paris, 2005) including his most 
                recent works such as “The Experience of Art” in the 
                Italian pavilion at Venice Biennale (2005) and “O que eu 
                fui” at the Filomena Soares gallery in March and April of 
                the same year. 
               Vasco received training as a lyric singer, a 
                feature which has been reflected in his material which uses voice 
                over video or photography to explore seduction gestures, cultural 
                stereotypes, political simulacra as well as a reflection on the 
                sexual identity. The artist also uses the game of masquerades 
                as a grand theatrical deception. This approach is especially obvious 
                in the series “O que eu fui”, in which the moments 
                immediately before death are played out in this manner. The pictures 
                of the sculptures talk, throwing the viewer who as a result can 
                no longer discern where reality ends and fiction begins. Vasco 
                Araújo's work follows the tradition of Baroque art showing 
                us a world of thoughts full of literary references and art history 
                references, leading us to the criticism of our society that fluctuates 
                between truth and artifice. 
               ADIAC is honored to participate in the international 
                promotion of this artist, an action greatly anticipated by many 
                critics in the international arena. For those who are witnessing 
                Vasco Araujo's work for the first time, ADIAC is pleased to create 
                this opportunity. We wish you pleasant reading and an enjoyable 
                discovery! 
               António da Veiga Pinto / Marc 
                Pottier 
                ADIAC - Portugal 
                
                
                
                
                
                
                
                
                
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